Question: are there perhaps two Antonia Klugmann? On the one hand, the one you see in the morning, kneeling to pick fresh sprouts and herbs, in the countryside around her restaurant... And then another, getting ready to become a famous Masterchef judge? The chef with the soft touch, the gentle attitude we had already met at Venissa... And the future TV star, sincerely getting ready to inherit the “bad” role of Carlo Cracco, «I’m very strict in the kitchen», get ready to see her slaughter the participants?
We were wondering this, when approaching Vencò, a hamlet of Dolegna del Collio, in the province of Gorizia: a place outside and inside history which she chose as her culinary retreat («I wanted something like this: small, surrounded by nature. I travelled a lot around Friuli, to find it: everywhere I went, I saw landscapes wounded by industrial warehouses, bucolic scenes compromised by abandoned industrial areas. Then I got here…»).
I didn’t ask her, I must confess. Because
Klugmann is a very intelligent woman, and she answered even before I uttered a word: «In June and July the restaurant will be closed. For two months
L'Argine will be deserted: I will be at work with the TV shootings: so I prefer to close. I don’t want to deprive this place of its nature, which is what I’m building.
Romano [
De Feo, her partner for 15 years] will take the opportunity to create a room entirely surrounded by windows, something we had been dreaming of for a long time, for our guests».
It will be on the opposite side to the entrance, facing nearby Slovenia. As for us, we slept in one of the four, lovely and small rooms created on the left side of the restaurant, «looking onto nothing», that is to say something that for a long time we’ve learnt not to know: the countryside. «I was inspired by Kobe Desraumaults’s In de Wulf».

Klugmann, to the left, with her brigade: Kengo Okada, born in 1981 in Kobe, Japan, and Ligurian-Sicilian Sonia Sabello, 1994
Antonia is getting ready – full of the awareness that derives from culture – to live this strange adventure, as the aspiring
Heidi that suddenly jumped under the spotlight. Visiting her is like reaching a place that has had a healthy and pragmatic lack of interest in time: the Austrians were here, Slovenians are over there, here there used to be a WWI armoury, over there, the border. It doesn’t matter. The timelessness of the rural world pays no attention to the running after each other of counterposed armies.
«A farmer used to live in this building. He didn’t have a bathroom. The washing machine was in the courtyard… With Romano we wanted a modern building next to the original one», with which it communicates in perfect symbiosis, in a constant reference to past, present and future, «we called an architect, his quote was too expensive», so De Feo dusted off his surveyor diploma and made Antonia’s dreams come true.
She tells us about the past winter, «for two weeks we reached -17°C. All the sprouts were lost». And she asks: «How can Michel Bras handle the vegetable garden in the winter? I must pay him a visit». After all, last summer, +45°C became customary in the kitchen: but Klugmann stands this happily, «Romano would like to add air-conditioning, but it’s very expensive. It’s best to resist».

Klugmann with Paolo Marchi at Identità Milano 2015
She goes to
Masterchef confessing her intentions with disarming candour: «I need to so as to develop these things at
L'Argine. To have the resources and the necessary fame to give sound foundations» to her imagination which has turned into something concrete.
All around, on the hills, says Romano, there’s one winery after the other, «La Viarte is there, then I Clivi, and Felluga». But the diamond that can make this territory shine is L’Argine and it needs fuel, «I need to become more famous».
Really? The evening arrives, it’s time to sit for dinner [of the highest standards. As portrayed in Tanio Liotta’s photo gallery]. «Antonia is about to arrive, she’s still at home», which is close to Cividale, she must feed five cats and a dog. She’s late because the service ended well into the afternoon, «guests didn’t want to leave». Because you feel great here at L’Argine: it is already, surely one of the best restaurants in Italian fine dining. Even without television.
Translated into English by Slawka G. Scarso